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Yamaha DM2000 VCM 96 mix ch digital production console £17,783.39

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Description

The first digital mixer in the world to receive official THX pm3 approval for surround sound production. Version 2 includes a number of refinements, including built-in Add-on effects.
The new DM2000VCM is the DM2000 Version 2 plus a formidable array of state-of-the-art processing technologies that provide all-new production power. You now have extraordinary recreations of classic compression and EQ units from the 70's, simulations of several legendary analog open-reel tape decks, a complete suite of unmatched REV-X reverb effects, a surround post-production package that is second to none, and even a selection of vintage stomp boxes to spice up your mixes. And all of this is right at your fingertips, with no need to patch in external processors.

The technology that has made all of this possible is some of the most advanced in the world, and the sound is simply superb.

In short, one of the world's most popular digital production consoles just got a lot more powerful.

VCM TechnologyVCM technology is responsible for the classic compressor, EQ, analog tape deck, and stompbox effect simulations in the DM2000VCM.

VCM (Virtual Circuitry Modeling) technology actually models the characteristics of analog circuitry - right down to the last resistor and capacitor. VCM technology goes well beyond simply analyzing and modeling electronic components and emulating the sound of old equipment. It's capable of capturing subtleties that simple digital simulations cannot even approach, while actually creating ideal examples of sought-after vintage gear.

iSSP TechnologyiSSP technology is the key to the DM2000VCM's incredible selection of surround post-production effects.

iSSP stands for "Interactive Spatial Sound Processing," and is Yamaha's original new spatial sound effect system. Designed through extensive research and exhaustive testing, this technology offers unparalleled reality, operability and originality for surround processing applications. It delivers unprecedented sound-field positioning precision and versatility, as well as realistic sound source movement effects with simple operation that allows simulations of an almost unlimited variety of spatial environments.

REV-X"REV-X" is the advanced algorithm behind Yamaha's newest generation of reverb and ambience programs, offering unprecedented reverberation depth and realism with smooth decay. REV-X technology takes full advantage of the 24-bit 96-kHz processing capability of the DM2000 for reverb and ambience effects that have the reassuring warmth and reality of natural acoustic environments.

R.R.P. £22,799.70
Our Price: £17,783.39 Inc VAT

  • Technical Specifications

  • Internal processing 32bit (Accumulator=58bit)
  • Frequency response Internal 44.1kHz,48kHz,88.2kHz,96kHz
  • External Normal rate
  • 44.1kHz(-10%) to 48kHz(+6%)
  • Double rate
  • 88.2kHz(-10%) to 96kHz(+6%)
  • Total harmonic distortion*
  • Input Gain=Min. CH INPUT to STEREO OUT
  • Less than 0.05%, 20Hz to 20kHz @+14dB into 600ohms
  • Less than 0.01%, 1kHz @+18dB into 600ohms
  • (@Sampling frequency=48kHz)
  • Less than 0.05%, 20Hz to 40kHz @+14dB into 600ohms
  • Less than 0.01%, 1kHz @+18dB into 600ohms
  • (@Sampling frequency=96kHz)
  • Frequency response CH INPUT to STEREO OUT
  • 0.5, -1.5dB, 20Hz to 20kHz @+4dB into 600ohms
  • (@Sampling frequency=48kHz)
  • 0.5, -1.5dB, 20Hz to 40kHz @+4dB into 600ohms
  • (@Sampling frequency=96kHz)
  • Dynamic range
  • (maximum level to noise level) 110dB typ, DA Converter(STEREO OUT)
  • 108dB typ, AD+DA(to STEREO OUT)
  • Hum & noise level **
  • (20Hz to 20kHz) Rs=150ohms Input Gain=Max Input Pad=0dB Input Sensitivity=-60dB -128dB Equivalent Input Noise
  • -94dB residual output noise. STEREO OUT
  • STEREO OUT off
  • -94dB(96dB S/N) STEREO OUT
  • STEREO fader at nominal level and all CH INPUT faders at minimum level
  • -64dB(68dB S/N) STEREO OUT
  • STEREO fader at nominal level and one CH INPUT fader at nominal level
  • Crosstalk(@1kHz)
  • Input Gain=Min 80dB adjacent input channels(CH1-24)
  • 80dB input to output
  • Features

  • DAW Control - Advanced Nuendo® support. Use Pro Tools® remote to control surround panning. Control MMC/P2 transport from the DAW remote layer.
  • Surround Features - 6.1 panning and 6.1 monitoring. Surround bus setup. Snap to SPL 85 dB. Surround pan on/off (using the Follow Pan switch). Simultaneous auditioning of surround monitor sources (BUS+ASSIGN1, BUS+ASSIGN2).
  • Broadcast Features - Mix-Minus (N-1) function. Password-protected operation lock. Pre-fader solo with pan. Fader/solo release. 1 kHz / 400 Hz dual oscillator.
  • Live Sound Features - User-assignable layer. Group master faders (user-assignable layer). Group master mutes (user-defined keys). Instant group assign (user-defined keys). AUX pre-fader pre-ON (AUX pre-point). Global paste to multiple scenes. Instant AUX monitoring (AUX/solo link). Global fade time / Global recall safe. Gain reduction meter display for all channels.
  • Production Features - Automix static insert. Fader level indication in FL display.
  • Others - Support for Add-on Effects. Added GPI parameters (high/low trigger, latch/unlatch)
  • Seamless Add-on Effects SupportThe DM2000 V2 provides full support for all five of Yamaha's Add-on Effects packages (each package is sold separately). The advanced effects and signal-processing capabilities provided by these packages are easily accessible in addition to the standard built-in effects.
  • A Major Studio Manager EvolutionThe Studio Manager application has undergone a major evolution, and is now a host application that can support multiple editors (such as the DM2000 Editor) within its framework. This offers many advantages including total project recall and smoother online and offline editing with multiple DM2000 units. A variety of other enhancements include Add-on Effect support, multiple windows, and improved overall operability through shortcuts, keyboard operations, drag and drop, and using the console's User Defined Keys to remotely open and close windows. The Console Window now provides a quick online/offline switch, the ability to show or hide the parameter block, user assignable layers, long stroke meters, quick jump to the Selected Channel window by double-clicking the EQ section, and numerical fader level indication. A new Master Fader window and Meter window have been added for easier master level monitoring as well as simultaneous meter display for 48 channels plus gain reduction metering. There's also a new Automix Library window that makes it much easier to use Automix. The Selected Channel window now shows gate type and long-stroke channel meters. The Patch Editor window can be resized, provides PM1D-like cursor shape and operation, and makes it possible to list and edit the port names. In the Library window you can operate multiple scenes and libraries simultaneously, recall them directly from hard disk, and link scene memories with patch libraries. As with the DM2000 itself, the Surround Editor window now supports 6.1 channels. You can also use the joystick in the Effect Editor window to control the ER/REV position of the REV 5.1 effect.

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